"A major factor that makes Edmond Rostand’s creative design for Cyrano lastingly relevant, such that numerous incarnations of it appear in the arts and popular culture, is its characters. DiChiera is drawn to the “duality” of Cyrano the man. “Outside, he is a fighter, a poet, a musician. Internally, he has many other talents that are latent. He keeps these hidden because he feels that if he can’t really experience love himself…,” here DiChiera stops, gropes, and gives up, as if to let the rest resolve on its own. Cyrano again, in a sense, is all of us. Who is absolutely satisfied with their physical appearance? Whose heart does not smart from the memory of unrequited love?
“He’s brave,” Romanian baritone Marian Pop, the only Cyrano DiChiera’s version has known, enters with eyes wide open. He points out as an example Cyrano’s plowing into hostile territory, against insurmountable odds, in defense of his friend Ligniere. Then there is the nose. “Without his nose, without physical deformity, we don’t have the story.” Pop mixes in another interesting facet to Cyrano. “He only talks about IT with those that are close to him. Everyone else is silent about it.” The singer strikes a face of fear, acting out how others might feel in the presence of Cyrano’s tremendous olfactory agent. “If you are lucky, you are born with a [real] handicap,” Bernard Uzan adds philosophically. “Cyrano sees things differently. Everything for him has a different meaning. He does everything 100%, for a while.”
From Dr. David DiChiera's interview for Opera Today.
A moment from the beloved opera composed by Dr. David diChiera on a…